There were those who feared that the end of the Cold War would deal a fatal blow to the creativity of many first-rate thriller writers who specialised in this territory. In the case of John le Carré, this would have meant the loss of not only Britain's finest thriller writer, but a serious novelist of quite as much literary gravitas as any of his mainstream contemporaries. Certainly, The Spy Who Came In From The Cold remains as utterly compelling today as when it was written, whereas such post-cold war le Carré themes as financial double-dealing seemed to inspire him less than the world of shifting identity he had dealt in so skilfully. But with The Constant Gardener, we have the author once again firing on all cylinders. The characterisation is as elegant and expressive as ever, the prose as limpid and forceful. But, most of all, le Carré has found a theme quite as pregnant as any he has handled in the past: the malign, deceptively ameliorative world of global pharmaceuticals. In the ... read more